Have you ever been eating with somebody & then they taste something disgusting and immediately offer it to you to share in the experience? “YUK! Here, taste this!” I have never understood that exchange.

I also have never understood why so many folks claim to despise negative stereotypical images fed to us, but continue to support them.

I believe Melvin Van Peebles was the one that once said Hollywood has an Achilles wallet: if it makes money no matter what it is they will make it. So it could be said that Hollywood and televison are artistically/politically/morally neutral – they couldn’t care less if it’s a movie about Madea or Mumia as long as it makes money. Examples range from corporate support and wide distribution of Michael Moore’s antiestablishment documentaries, to the Kwanzaa cups at McDonald’s. It could be further said that the responsibility lies with the audience then, to make quality decisions that in turn effect the quality and content of the material. But it seems to me that every time there is an award show on BET or a racist misogynistic reality show or a poorly written melodramatic farce celebrating contemporary coonery, folks FLOCK to it in unprecedented numbers.

Some claim intellectual curiousity, some say they can’t comment unless they see it, some just love it as a guilty pleasure – all of which are fine. My issue comes with the fact that if you put money into supporting these projects then they will continue to make them – even bigger and more frequently. My greater issue comes with the fact that we collectively as audience members don’t find and support the alternatives with the same amount of enthusiasm. We don’t search out and support and vote with our dollars for the films, shows, movies and art that enhance and cleberate our mythology.

Boycotting beef for its unhealthy practices has forced supermakets to carry healthier grades of meat; it is because of people’s knowledge of pesticides and their action against buying those things that we have the word organic plastered on everything. Our money is our vote. Enough people did not buy the crappy stuff and voted with their dollars for the more expensive, more difficult to find, healthier alternatives – and the market changed to adapt for that. Healthier options are now more accessible, less expensive, and companies are falling all over themselves to offer them.

The current talk of the town is the new Tyler Perry adaptation of Ntozake Shange’s “For Colored Girls…” There is a lot of dissenting opinion over whether he should have been the one to handle such sensitive and culturally important material, and critics are already panning the result. But even among those who claim to not like the idea are many who are willing to contribute toward the success of its opening night. I can’t count how many folk – most of whom could never stand a Tyler Perry flick – are organizing viewing parties and screening trips.

To sum up the questions this calls to mind for me:

Why do we support things that we proclaim not to like? Do we just like to hate? Are we a hater nation? A group folks who rather than taking the time to find the things that serve our soul, would rather eat what’s offered to us no matter how bad because the temporary moment of collective hate gives us a sense of unity, inclusion and power?

I use the term ‘hate’ with some trepidation b/c i feel like the term has its own issues. Too often we claim ‘hate’ for honest, constructive criticism — or hold back criticism for fear of being labeled a hater. But if we stigmatize all criticism as hate, what does that do to our ability to hold our cultural output to a higher standard? Are we doomed instead to accept without feedback whatever drivel is produced in our name?

Do we not realize that these films, songs, and images travel around the world, and are projected forward in time? They serve as our representation in places we may never go personally.

I feel like we are commenting on how sad the fire burning down our house is instead of trying to put the flames out.

We have the advantage of coming from a technological time of incredible diversity. Between TV, movies, cable, and the internet we have more choice in entertainment than previous generations could have imagined. Today’s adults also have the advantage of spanning eras – we may look at violent video games in a different way, for example, because we were rasied on pin ball machines and Pac Man. What we fail to realize is that right now is the oldschool for someone else. What kind of impact are we having on the future if we dont make diversity available to the future tastemakers of society?

The history of race in hollywood is far beyond the scope of what i want to talk about here, but i’ll just say that race has been wound up in the growth of the genre since its invention. Film has not made a growth spurt or technological innovation without a significant statement on its perception of people of color.

1st feature length movie: the birth of a nation
first ‘talkie’: the jazz singer
first color film: gone with the wind
one of the first films shot digitally: starwars phantom menace (need i remind you of jar jar binks, the ridiculous ‘asian’ stereotype characters which opened the movie, or the ‘jewish’ mosquito character?)
honorable mention as a large advance in special effects: king kong (a movie i feel like they remake every 5 minutes)

but no longer can we completely point the finger at a Hollywood system that won’t let us in, if we are the ones behind the camera and more importantly the ones supporting the exact type of product we wish to change. one of the most important parts of any performance is the audience. if we are an audience that does not seek out and celebrate the best, we can’t expect the best.

I will not belittle Tyler Perry as i feel he is NOT the problem. The problem as I see it is diversity/choice. The problem is distribution and access. The problem is that there never seem to be any more than 4 actors of color in theatres at any one time – usually in a comedy and usually not the lead. The problem is that despite the technology available to us, we do not have as much choice and variety as we may think. The problem is, i have a new favorite film I’m going to recommend at the end of this piece, and could only find one possible place for you to see it.

Name 2 asian american leads in a film this year or in the past 5 that wasnt a comedy
Name 1 lead actress of african decnst in a dramatic film in the past ten
Name a “Quirky” indie film that stars an majority Latino cast
Name a film with a Middle Eastern character who is not the villain.
Name a film with a gay lead character where their sexuality was not the central issue of the story.
Name a special effects movie or science fiction movie with major cast members of color.
Name a movie where the lead black male had power that he doesn’t give away to a white character.

I don’t claim to have the answers. I’m trying my best, with my humble store and film company but i’m only one person with one vote and one voice. We all have to work at this if we want change. Entertainment has never been JUST entertainment for us. Throughout our history, entertainment has been a tool/instrument of revolution, and a barometer of change. Don’t negate the power of social media and the internet as one of these tools. Our ancestors in this country did a lot more with a lot less.

Seek the alternative. Find it, support it, spread the word about it. I just watched a Brazilian film from 2009 called Besouro – about a legendary capoiera player in 1920s Bahia, Brazil. I cannot express what a life-changing film this was for me, but i intend to try in a future post. In the meantime, here is the link the the trailer. You can purchase the DVD on amazon.com – PLEASE do so, then hold a screening party.

Support good film.

Kenyan filmmaker Wanuri Kahiu takes the Afrofuturism genre one step further with her short SciFi film “Pumzi.” The dystopic flick is set in an enclosed, underground future society, “35 years after water wars have torn the world apart,” and chronicles the efforts of one young woman to bring life back to the surface of the planet.

Unique opportunity to see this groundbreaking, award-winning film this sunday in Brooklyn, NY — at a free screening hosted by mtkalla keaton sunday evening, april 18th. details below.

“Pumzi” Brooklyn Screening @ Le Grand Dakar (Grand ave and Clifton Pl)

Sunday April 18th @ 8pm.
Please RVSP via text (917 771 2747)

Click below to see the trailer. Wow.

Duke professor Mark Anthony Neal and Grammy winning producer 9th Wonder (pictured left) are using SunMoonChild – amazing song by imani uzuri, amazing video by Pierre Bennu – as part of the midterm exam for their course, ’sampling soul.’ The course is about black cultural production and the tradition of borrowing/remixing/sampling and how it all relates to today’s legal issues of intellectual property rights and copyright law. Since YouTube just removed SunMoonChild after three years this issue cuts particularly close for us.

He’s made the midterm public on his blog to encourage a wider dialogue and wider exposure to the ideas. Stop by and give it a read, comment if you can! )

–jb.

As a DJ, an artist, a sometime teacher, and the son of an academic, I will never get tired of marveling at the intersection of HipHop and academia. It’s an honor to have my work thought of as contributing to this discussion.

–pb

Jean-Michel Basquiat : The Radiant Child

’till then love what you do.

Perez got pretty slammed on the Brooklyn blogs for her comments. “As much as I find Rosie Perez to be a decent actor, sexy and certainly part of NYC’s charm, I must say comments like these make me want to kick her in the shins,” wrote one commenter on Brownstoner. We cornered Perez after the show, and she was happy to clear up what she worried was a hostile comment. “What I really wanted to say was that, yes, I’m nostalgic for the past, but I’m also excited about the present and hopeful for the future,” she explained. “Things do change. Water always has to flow or else it becomes stale. But with change, you can bring along some of the good minerals that came from the top of the waterfall.” She said she’d read some of the blogs and seen the nasty comments. “I think it’s their guilt of being the gentrifiers. They don’t know how to take it,” she said. “But I had to look at myself and I realized it came off a little hostile, to be honest.”

What Rosie meant to express was that the neighborhood has a growing sense of elitism. “I live in Clinton Hill. The gentrification is not only the mom-and-pop shops getting displaced, residents getting displaced, people getting priced out even of the Associated markets,” she said. “It’s the sense of entitlement that people bring with them to the neighborhood.” People seem to think since they’re paying a premium for the lovely neighborhood, they don’t have to say hello, and they should be able to rule the space. They’ll think to themselves, Perez groans, “‘This is our place in the park, I don’t care if you played soccer here, we want to put our baby strollers here.’ What? Excuse me? That is not the feeling of New York. That is why New York City is the only place where you can come, whether you’re gay, straight, transgender, freak, geek, and live a fairly decent life and not get killed. If you do get killed, it’s probably a tiny, tiny percentage because of the color of your skin or because you want to wear a pink tutu on your head. But if you do that in Arkansas, you might get killed. In NYC, your chances [of getting killed] are very slim because it’s called tolerance and respect for your fellow humans. And saying hello to your neighbor is a great start. Even if you’re in a bad mood, just give me a nod.”

Next time we’re in Clinton Hill, Ms. Perez is certainly getting a tip of our hat.

by  Emma Pearse copied from www.nymag.com

 The show “all things considered”  on NPR had a broadcast on about the history of BoomBoxes. For some reason it really struck a chord with me and I was actually quite moved by it. Read the article but be sure to watch the video.

In New York? Check out Jean Grae & Tamar-Kali this saturday!! Click the flyer to see a promo.

we used what we had to explain to our 9 month old what was going on.  enjoy the photo essay.

p.s. to whom it my concern, we need to talk