No Better Blues: on audience responsibility & the quest for better film
Have you ever been eating with somebody & then they taste something disgusting and immediately offer it to you to share in the experience? “YUK! Here, taste this!” I have never understood that exchange.
I also have never understood why so many folks claim to despise negative stereotypical images fed to us, but continue to support them.
I believe Melvin Van Peebles was the one that once said Hollywood has an Achilles wallet: if it makes money no matter what it is they will make it. So it could be said that Hollywood and televison are artistically/politically/morally neutral – they couldn’t care less if it’s a movie about Madea or Mumia as long as it makes money. Examples range from corporate support and wide distribution of Michael Moore’s antiestablishment documentaries, to the Kwanzaa cups at McDonald’s. It could be further said that the responsibility lies with the audience then, to make quality decisions that in turn effect the quality and content of the material. But it seems to me that every time there is an award show on BET or a racist misogynistic reality show or a poorly written melodramatic farce celebrating contemporary coonery, folks FLOCK to it in unprecedented numbers.
Some claim intellectual curiousity, some say they can’t comment unless they see it, some just love it as a guilty pleasure – all of which are fine. My issue comes with the fact that if you put money into supporting these projects then they will continue to make them – even bigger and more frequently. My greater issue comes with the fact that we collectively as audience members don’t find and support the alternatives with the same amount of enthusiasm. We don’t search out and support and vote with our dollars for the films, shows, movies and art that enhance and cleberate our mythology.
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On Monday, on WNYC’s Brian Lehrer show, Rosie Perez discussed the G word — gentrification — in Manhattan and in her childhood Brooklyn, specifically in Fort Greene and in Clinton Hill, where she now lives. You could say that Perez is on the anti-gentrification side of the ongoing citywide debate about how to preserve the old NYC while embracing the new. She complained that her neighbors don’t say hello to her. “When I walk out of my house, I used to know everyone on my block in Clinton Hill. I walk out there now, people move away from me because I’m a person of color and then once they recognize me, they go, oh. That’s a horrible feeling. That’s a feeling I didn’t grow up with,” she told Lehrer. This morning, at WNYC’s flashy new Jerome L. Greene Performance Space, the conversation continued, with Perez’s signature feistiness in full force. She hosted a broadcast debate in which community activists and city-landmark officials argued over the nature of this changing city. “Let me tell you, since I said that [on the radio], now everybody is saying hello to me,” she told her mostly amused audience (many of whom seemed to be from Fort Greene). “Be careful what you wish for.” 
