Farenheit 9/11 - review by Rhea L. Combs
FAHRENHEIT 911 - THE HOT TICKET
by RHEA L COMBS
Fuck Bush. Motherfuck Bush. That’s how I felt after coming home from watching Fahrenheit 9/11, the new documentary by Michael Moore. I had been looking forward to seeing the film for quite some time and fortunately got a ticket opening night.
Knowing the controversy behind the film, its director, and because this is the first documentary to ever win the coveted Palme d’Or award at the prestigious Cannes Film Festival in France, I was anxious to see the movie. Looking around at the roughly 350 people in the sold out theater, I was among a bunch of baby boomers and activists of yesteryear. It was a great feeling. Before the film I overheard folks reminiscing about seeing Jimi Hendrix perform, their frustrations with the current government, and the importance of voting. One silver fox recalled taking her college graduation pictures donning an afro and with no underwear — much to the chagrin of her parents, of course — in solidarity with the women’s rights movement. For this woman, and I imagine for many others coming to watch this film, being active in the government’s political process is what they know.
For them, supporting Fahrenheit 9/11 was a continuation of their efforts to promote peace and protest the vained war in Iraq. Unfortunately, people in my age range (18-34) were present to a much lesser degree, which seems to also reflect the voting trends. The youth, generally speaking, are apathetic and apolitical. Meanwhile the elders recall Vietnam, rally for peace, and root for a better tomorrow. Unfortunately that might not be enough to get Bush’s ass out of the Oval office.
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AN OPEN LETTER TO BILL COSBY